Randall Marksoriginally trained with the Tidewater Ballet, and was privileged to study with Susan Boree, Irtha Kitt, Edward Villela, Gene Hammet, Pat Sorell and Robert Steele. His talent was quickly realized and he was given featured roles in Graduation Ball, Concerto Borrocco, Spanish Rhythms, Don Q Pas De Deux, and Copellia. Mr. Marks was awarded full scholarship to study with Joffrey Ballet and then was offered an apprenticeship with the Pennsylvania Ballet where he continued his training under Lupe Serano and Benjamin Harkave. He also studied at the Philadelphia College of Performing Arts.  He went on to dance as a soloist with Ballets Elan and was quickly hired by Atlantic City Ballet where he was named principal dancer after his first season. His distinctive grace was acclaimed in a notable performance of the Green Boy in Les Patineuers and as the Prince in Swan Lake and other pieces including George Balanchine’s Valse Fantasie, August Bournonville’s Flower Festival Pas de Deux, and Stuart Hodes’ Abyss. During this time, he was invited to dance at the Jacobs Pillow Dance Festival. As principal dancer with Ballet Austin, Dance Magazine described him as “a cocky young Gene Kelly, hoofing his heart out.” His featured roles included Allegro Brillante, The Fairy’s Kiss, Rhythmetron, Triangles, House of Bernarda Alba and Promises. Joining New York City’s Dennis Wayne’s Dance Company he toured across the US, and overseas. Mr. Marks accepted a position with the New York City Metropolitan Opera Ballet Company performing in Aida, La Traviata, Faust and Giaconde, and guest starred with Connecticut Ballet Theater in Giselle, Die Fledermaus and Vienna Life. But several personal invitations from Ballet Austin’s artistic director finally took Mr. Marks back to Austin to dance in ballets including Other Tangos, and Elektra. Eager to expand his versatility in dance styles and looking for a choreographic outlet, Mr. Marks accepted the position of resident choreographer/principal dancer with Tapestry Dance Company. His Stepping Over the Line and A Tango Perhaps were received with high praise. A joint performance with Austin Contemporary Ballet brought an invitation to choreograph a piece on the company. With high reviews for Toward the Within he was invited to step in as guest director for the last half of Austin Contemporary Ballet’s final season, expanding on his first piece and creating a new lively piece, Mr. Jones and Friends. During this time, Mr. Marks joined forces with his wife, Jeanne Marie, and began a partnership that took him across the country and on board some of the finest six-star cruise ships performing many of the classic pas de deux. Stepping away from the forefront of dance to focus on teaching and coaching, Mr. Marks teaches throughout Texas and the United States.  Based in Austin, he teaches at many of the leading academies, and is presently director of ballet at the Austin School for the Performing and Visual Arts. Mr. Marks teaches at the Joffrey Summer Program, adjudicates for the American Ballet Competition, and has been teaching with Sun King Dance since 2006.  He is pleased to be part of the Evolution Dance Faculty.